Michael Carty Photography

New Model: Alex McBride

By tangentpath in model photography alex mcbride fun times

Hey Peeps,

So the other day I had the great fortune of shooting with someone that I think could really make a name for herself in the industry: Alex McBride.

She's young, funny, talented and smart.  A great combination to have when trying to survive and thrive in any business.  Especially since her interest is on the other side of the camera, yes, she likes to shoot photography too.

She had a few different outfits to change through and we came up with some great work - if I do say so myself.

Check it:

















I had such a fun time shooting this session, I can't wait for the next one.

Cheers,
Michael Carty





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Beth+Alex aka: The Frenchys Wedding

By tangentpath in wedding photography fun times beth and alex frenchy's

Hey Peeps,

I know most of you won't know what I'm talking about since this is worldwide and all, but those of you from the Maritimes, and even those of you who have visited, know of the second-hand clothing store called Guy's Frenchys.

You may have even seen something about it on the news, in the newspapers, on Facebook, etc etc etc.

The reason that is is because a great couple, Beth and Alex, had planned their wedding there.  It wasn't on purpose at first.  In the beginning, they were only shopping there for a few things for the event.

Then it started to roll.

Eventually everything from the groomsmens suits to the brides dress and flowers were all purchase at - you guessed it:  Frenchys.

So the next step was to ask Guy Frenchy himself for his blessing in conducting the event in his store located in our hometown of Digby.

Guy was exstatic.

Bins were moved, decorations were put up and advertisements were placed in every Frenchys store in the Maritimes advertising the first wedding ever performed in the business's history.

Now I had a great view as things developed over these several months.  Not just because I was the photographer covering the event, but because I have known Alex for years.

Just want to say, Beth and Alex are perfect for each other.  They are exactly as in love with one another and believe in that love in real life as you see them during an interview.

So without further ado, and to prevent regaling you on my later-night karaoke skills that evening, I give you:  Beth+Alex.













 Thank you Beth and Alex for letting me be a part of your beautiful day, and may you have a long and loving marriage.

Laters,

Michael Carty




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Labs, Prints & Products: Q&A with Allen Sutherland of Atlantic Photo Supply

By tangentpath in photography halifax atlantic photo supply allen sutherland interviews

Hey Peeps,

I think one of the most important things - and the most overlooked, in photography has to do with labs.

Most new photographers stick with giving/selling their digital images and leave a lot of cash, customer service and free marketing on the table.

I had the great fortune of asking Allen Sutherland of Atlantic Photo Supply a few questions from his point of view on the importance of labs in today's digitized age.

Enjoy!

Michael: How important are physical prints/products in a photography business?
Allen: In the digital age, prints are still something physical and tangible that stand visible through time.  Prints and products can be considered a value add to the Artist,always there for their client to see. The Photographer - to be successful, should be like any business; always willing to add new products to their wagon. The saying goes, you can't sell with a empty wagon. 
 
Michael:What sets APS apart from other labs?
Allen: I think the big thing that sets APS apart is the dedication of the staff. I often look at the way they try to resolve problems. Like any human, they are capable of making mistakes. The difference with my coworkers is that they learn from that and often put procedures in place to try and prevent it from happening again.  We have the same equipment as many labs, but a whole set of different procedures that help keep the quality and service high. 
 
Michael: What would you say contributes to the success of APS when other vendors have slipped away?
Allen:  I hate to repeat myself, but the success of APS has a lot to do with the last question. On top of our people, we also practice strict accounting and purchasing principals. Buying smart and growing at a pace that keeps the bottom line in the black instead of the red.  Being involved with the community at large is important as well.  Just because you have been in business since 1942 does not give you the right to ignore how you survived.

Michael: What should a photographer initially look for in a lab?
Allen: I think quality service first. Then I would also look at the products they offer.  Price would be my last choice.
 
Michael: What are the majority of problems that photographers bring to you to solve?
Allen: The biggest problems go straight to color management.  A lot of people have difficulty getting files to look the same on their monitor as they do in print.  My job is often to look deeper into their workflow to try and resolve those issues.
 
Michael: Do you find the photographers who utilize printing services gain more work and success than ones who exclusively use digital means?
Allen: I think the true success of any photographer is how well he markets his talent.  Many artists are very creative but poor on the marketing and fiscal discipline side.  Prints are part of a product offering.  How you weave them into your business plan will determine the success.  Like any business, you get back what you put into it.
 
Michael: You have recently moved locations last month, can you tell me a little bit about that and how this will effect the photography community?
Allen: We are almost complete in our move. Our new store on Brownlow in Dartmouth will open September 10th. The big thing about the expansion for the lab is more efficiency, Everything on one floor, instead of 2 and 1/2. All departments from front to back have a better work space and better climate control.  Having a more efficient lab helps with service and quality.  Having two locations helps to serve our community better from a physical perspective.  A lot of our out of town clients don't have to fight traffic to get to our Dartmouth store.  We are able to have more inventory because we have more storage.  New products and services.  Someone has to keep Henry's in check.
 
Michael: Is there any pertinent knowledge you believe photographers should be aware of regarding prints, labs, etc?
Allen: I say to everyone new and old in the business: take time to understand the basic concepts of photography.  The golden triangle, so to speak.  Once you conquered that then work with your lab on the color side of things.  Build a relationship.  Take time to get to know them.  Do your home work.  Take a course and go to seminars.

I'd like to thank Allen for his unique insight into the industry in this interview.  You can check out their website here:   http://atlanticphotosupply.com.

Sorry it has been a while, busy things going on but that just makes more material to get right?

Cheers,

Michael Carty



9022470144

My Run-In With Backroads

By tangentpath in photography backroads fun times interviews bikers canon 5d mkiii

Hey Peeps,

It has been quite busy this past week and continues to be in the coming one, I was scouting out the Bear River Vineyard, photos below:



I noticed a van and a load of bicyclers at the vineyard.  The van was labelled,"Backroads: The Worlds #1 Active Travel Company".  




Needless to say, I was intrigued.


I'm a runner at heart but I got a sense that bicycling was similar in the nature of comraderie and non-competitiveness.


I grabbed my camera and started shooting while asking a few of these nice people about Backroads and bicycling in general.  They told me that they were from all over, Toronto, Pensilvania, Oklahoma just to name a few.  They were also different groups, some married, some single, some friends, some parents and adult children.  It was impressive and uplifting to see so many different people from different walks of life come together in an activity that was both beneficial to their health and connected a variety of minds.






Gary and I hit it off right away.  He is a photography enthusiast and carries his Canon 5D MkIII - yes, the MkIII - and a 28-300mm lens with him as he rides.  I offered to give him my cam and everything in my gear bag for it, but Gary is a smart man, and refused my offer. :(  Next time Gary, next time.






The Canon 5D MkIII/28-300mm... oh, and Gary lol
Amy and Eric are husband and wife.  They are a sweet couple who seem to have a real partner/team atmosphere about them which can only enhance their cycling and their marriage.


Eric & Amy


Among other things, they told me that this is the 4th of their 6 day ride through Nova Scotia, which started in Halifax, NS.  That they all enjoy the different scenes of beauty, cultures, foods and friendships they encounter and make while on their trek.


It all sounded so similar to running to me - but with wheels, and much farther(for the most part), I realized that it was the social activity in general that brought out all of the goodness in these people and not just the specific activity itself.


Well their trip has been over for a few days now and most are back home, off on another ride or relaxing on the rest of their vacations.  

I hope to see them again next year.  

Especially Gary.  

With his Canon.  *DROOL*


Later,


Michael Carty










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Do Not Go Gentle Into That Good Night

By tangentpath in photography vision direction

Hey Peeps,


You have no doubt heard this villanelle, it is considered to be among the finest works by Welsh poet Dylan Thomas.


I've always loved his writing and I find it is appropriate for this post.


It's expressive idea is the desire and even need to fight with all of one's life against the spectre of death.


That no matter what walk of life we come from, that shadow is always present and close at hand.


That it is a bond we all share as human beings and from which we should struggle against it regardless of the futility.


There is another shadow that lurks in the hearts of creatives.  A fear, a doubt, a frustrated apathy that makes one feel like a sham, a fake and an untalented poser.


If you have ever tried to be creative, especially for a living, you have felt this.


I have felt this.  BIG TIME.


I am not naive enough to believe that this feeling will ever pass permanently.  It is a major element towards keeping the truly determined creatives in the game while pushing the less ambitious to other venues.


It is a scary, daunting, lonely and hopeless feeling in it's full form.


It can cripple a creatives mind completely. 


It has no conscious.  It has no morality.  It is an act of nature with no more malice for you than it does remorse for what it does to you.


But I can promise you one thing.


If you stay in the game, if you keep learning, keep practicing, keep working at your craft.


I promise you will be evolving creatively.


I can't promise that you will be rich or famous or recognized by your peers.  I can't promise that you will be greeted on the streets by friends and fans for your outstanding work or offered multi-international deals from the biggest conglomerates to work with the brightest stars.


I will promise that you will be doing what you love. 


I will promise that you will get better and better at it. 


I will promise you that when that doubt slips into your mind, it's okay to take some time off. 


Go lie down, watch some tv, whatever, because you are putting your time in when it counts.


But always get back to it, it whatever form or scale you can.


Keep doing this and I promise that you will be the creative you want to be within if not without.


You are working it out.  You are learning your craft.  You are making it your own.


Do not go gentle into that good night,
Old age should burn and rage at close of day;
Rage, rage against the dying of the light. 



Cheers,


Michael Carty

 








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