Special New Year Edition: Professional Photographer Panel Q&A

By tangentpath in anthony ha billie chiasson brian larter dane sanders fun times interview interviews liam hennessey photography vision wisdom

Hey Peeps,

I had this little idea to do a little Q&A with some photographers out there that work their asses off and know the nitty-gritty of what this life is like.  Some are old friends, while others have become new ones.  Regardless of our relationships, they have ALL been inspirations to my own work.  

Well what started as a little idea blew up into a great adventure of tossed emails, Facebook messages and even a Skype session stretching 4 time zones.  

Each conversation gleaned some fantastic information and perspective from these visual artists that will hopefully give some of you insight and a more prepared head start if you are interested in the photography business.

The contributors selected were:  Dane Sanders, a California-based photographer, educator and author of Fast Track Photographer  and The Fast Track Photographer Business Plan;  Shaun Simpson, a commercial/portrait photographer in the Halifax, NS area;  Cyndi Gordon, a freelance photographer working between New Glasgow and Halifax, NS;  Anthony Ha, he leads the photography of Intervalia Studio One in Dartmouth, NS with manager Mark Franche;  Billie Chiasson, a Toronto-based fashion/beauty/fine art photographer;  Brian Larter & Karen Murdock, (happily engaged) directors of Aperture Studios and FIZZ in the Halifax, NS area;  Liam Hennessey, a Halifax-based wedding/boudoir/creative photographer of Applehead StudiosDawn Melanson, a wedding/lifestyle/portrait photographer working from Greenwood, NS;  and a special video message with his take on these questions is Jake Garn, the "whimsical fashion photographer" and instructor of creative workshops via his site, Shoot For Love in Salt Lake City, UT.  

Please take a look at these artists sites if you haven't already, they are a cornucopia of talent and information.


I tried to limit the questions to 3 or 4, but the sources of information was so fantastic that I couldn't help but add a few more.  There is some swearing.  

You have been warned.  

Let's start with our first question:

1.  What is the single biggest mistake made by beginning photographers?

Not spending enough time playing; I’ve learned you have to take risks; try things that may not work, try things that shouldn’t work.

In my opinion, the biggest mistake is advertising yourself as a professional and then charging prices so low just to beat out other photographer's whom you know have been doing this for way longer and are more advanced then yourself.  I myself never proclaim to be a professional, and I always state that there is much more for me to learn and strive to accomplish.

Comparing themselves to others.  The "I want to be as good as him" or "Why can't I get my shots to look like hers" are what holds new photographers back.  While it may help to emulate someone else's style, especially if the style is popular...  It doesn't help you grow as a photographer and eventually you'll come to a plateau.  Each photographer is different, with their own unique vision, but a lot of times we get too wrapped up in our idols.

From what I have observed and seen, the biggest mistake that can be made as a photographer beginning in the industry is to assume you are at the same level of photographers who have been shooting for many years.  The honest truth is that your not!  Regardless of your background, it is going to take time and patience to form a name for yourself. 

Brian & Karen: 
The biggest issue I am seeing with today's photographers who are just starting out is they don't know how to take a photo.  Anyone can simply pick up a camera, say smile and push a button, but most of the time they don't know what goes into the shot.  They are not taking responsibility for 100% of the photo.  Being a photographer isn't just owning a fancy camera and some lenses, its understanding the mechanisms that go into it, problem solving for last minute issues and capturing exactly what you see in your mind.  If it's not exactly how you envisioned it - it's a shitty photo.

New photographers should be assisting and helping other photographers. Learning from them before they even think of calling themselves a photographer.

Two things:  they underestimate how much work it is going to be... and they think it is all about photography.  The function of building a business is (from) a fundamentally different muscle group than the function of taking a picture.  There’s tonnes of great examples of people documenting this.  I talk about this in my books, but you know The E-Myth by Michael Gerber... if they haven’t read that – they just have to, it’s standard, they have to think entrepreneurally about what they’re up to.

Biggest mistake: thinking that after they graduate people will call them and just pay them to take photographs of them.  The next biggest mistake is setting pricing according to where they think their work 'ranks' among the competition.

There are many mistakes, but not charging for what they're worth is, basically what I think is the biggest.  I have seen a few new photographers in my area not charge for what they are worth. Eventually they end up burning themselves out, and quitting.

2.  What should be your top priorities in the photography business?

Simple; develop a reputation for being trustworthy, sincere, and dependable.  I honestly believe you can’t take a great photograph of someone unless they have trust in you and your abilities, and you put them at ease so they’re not afraid to be real.  For me, those are the most important things.

Never stop learning; never mistreat your client (not only because it is not polite but also because word-of-mouth is a huge way for people to learn about your work); and mind your business (do not interfere with drama going on between other photographers/models/designers etc.)

First and foremost; to have fun.  If you're not having fun in an industry like this - why bother? Get a normal job.

Second, if you're doing it to make money... make sure the end result is what the customer wants.  Just because you think something is artistic, doesn't mean the client will.  Just because you think something is tacky, doesn't mean the client will.

Third... progress.  Never stay still.  Never be complacent.  Always learn and always move forward.

My first and foremost top priority is to deliver quality images that represent myself as a photographer and a person.  Never give anything less then what your happy with, even if it means cutting out a couple of images.  Quality over quantity!

Secondly, ALWAYS continue learning.  You can do so by simply taking photographs and learning something from every photo set you do.  Or reading books and/or taking classes to help develop and build your skills.

Lastly, have pride in your work and never settle for less then what you deserve.

Brian & Karen: 
1) Marketing. learn to sell your self and what you create.

2) Stand out from the crowd.  There are a ton of self-proclaimed photographers now.  You need to stand out from them and be seen.

3) Hire an accountant.  You're a photographer; not an accountant.

I’d get clear on the mark I want to make, so kind of what's your vision for your business?  For example, I was in a conversation with a photographer I'm trying to help out right now, who in really broad strokes likes photography, likes events, likes corporate.  But he's just very general in his perspective and as a result he's invisible;  no one knows who he is and he's really good. What's required is for him to get clear on the mark he wants to make, and once he gets clear on that he can execute it.

Until you're clear on where you want to go, you're not going to get there.  So the first thing is to know where you're going, the second thing is to know where you're at and the third thing is realize how much work it is going to be to go from A to B.  You have to commit and focus everything you have.  You have to work your ass off.

A vision for exactly what they want to be. i.e. wedding, commercial, etc.  - it doesn't matter what it is, but they need to be self-aware of who they are and what kind of photographer they will be.

Methods and policies.  Set them, create them.  Automate anything you do more than once. Automated email, client booking files, edits, photoshop, etc.  It makes expansion easier when there are simple and defined steps of how things are done in your business.  The only creative part is shooting.  The rest is business related.  Automate it as much as possible.

1. Know your craft, and your camera. Gain experience, go to seminars, get together with other photographers, and ask questions. Back in the 1990’s I used to talk with an awesome local photographer whom I admired, and he was always giving me advice on how I could improve. I still talk with him from time to time, he is always a source of inspiration for me and others in my area.
2. Keep good business records like receipts, purchases etc. Your accountant will love you, and you will know the cost of running your business.
3. Wow’ing your clients. Make your clients want to come back for more. Give them an experience that they won’t forget. It’s the little things that make a difference. Word of mouth is what will bring in business for you.

3.  What is your best advice for dealing with the stresses that come with running your own photography business?

I think the biggest stress is just making sure that you’re always pushing yourself to work harder and better; always wondering if you’re pushing yourself in the right direction.
The only way I've been able to move past that, is with experience, and tons of practice; that'll raise your confidence level, and give you a stronger belief in the quality of your work. Constantly evaluate your work compared to your idols in your field; don't try to copy them, but learn from them by understanding why their work is successful. Having confidence in your work will help you constructively criticize your own work, and accept helpful criticism from others.

The way I handle the stress is to know what I can and can not handle.  Never over-promise yourself to your client and you can normally always exceed their expectations that way.  I also try to take a few breaks a year where I will not shoot anything but personal photos or what I love to shoot for a few weeks, be it nature, animals, etc.  Just shoot for myself, for fun, to remind me why I got into photography and why I love it so much.

Just relax and take it one step at a time.  With anything, stressing about things only makes things worse.  Be disciplined in your work, but don't hold on too tightly.

Remind yourself why you started photography to begin with.  Was it to photograph the general public and do portraits or boudoir?  Were you interested in Fashion and Beauty Portraiture?  Artistic nude?  If your not doing the type of photography that you love, then there is a better chance that you WILL be stressed out.  I sometimes get frustrated, or upset or drive myself crazy with photography but that stems from my love for my craft and my perfectionism and drive to create images that are beautiful and reflect my name correctly.  It’s the best kind of stress!

Brian & Karen:  
Separate work from home.  Buy a point and shoot and take photos with it for family and memories. Never lug all your gear around for fun stuff, because then you will feel like you are working.

Well what if the stress wasn’t stress, I'd reframe the context.  I feel stress all the time; I'm a father of four; I'm married; rent is expensive; Christmas just came and went; how am I going to pay the bills next month? – those are realities for everybody.  

In the stresses I have to ask myself the question,”What is the most resourceful way to tell myself the story about my life?”  

Let me give you an example.  

So I'm three years old, my dad dies in a car wreck and I could tell a lot of stories about how I'm a victim, and how I never had a dad and how I got betrayed by God - that's one story.  Or I can say,”That's not very resourceful, what's another story I could tell myself that would be as resourceful or more resourceful than that?” like,"What if this was all a big set up for me to become a certain kind of person that would set a great example for my son to have a great life or my daughters to have a great life?"  I would say the second story is more resourceful than the first story.  

So when you find you're telling yourself a story about how stressed you are – stop it, and tell yourself a better story.   What stresses you, is making up meaning about the circumstances that you can't control.  

My friend Amit Gupta, who runs Photojojo, has leukemia.  He could tell himself a story about how awful life is for him right now - he's waiting for a bone marrow transplant, he's trying to live – or he could tell himself another story, like,"Hey, I could rally the whole world, because I have a massive reach and influence, for people to start swabbing their cheeks so that people(needing marrow transplants) could begin finding matched donors and possibly a match for me...", so instead what he's done is leverage the moment and tens of thousands of people have swabbed their cheeks ... that means thousands of lives will get saved - even if it's not his.  I would think that is a more resourceful approach to dealing with stressful moments.  It is always bigger than yourself if you let it be.

When you run your own business, there is always going to be stress on some level.  I'm in no place to be giving my expertise on that.  It goes back to knowing what you are.  If you're shooting what you love and setting and surpassing your goals...it's all good.  No stress.

Be super organized and never procrastinate with what needs to be done, always have things done before they need to be done. Map out a plan of attack, create a workflow and stick to it, from the first contact with your clients until delivery of the final product. It will make life a lot less stressful. It does for me anyways!!

4.  How do you know what to charge for work?

*twitch* - That’s always a difficult question to answer.  I try to calculate a rate that potentially covers all related expenses around the shoot, and a few extra dollars I can reinvest into my work.  Larger commercial shoots are always a bit more complicated to price, but honestly it is part calculation - part negotiation - and part guesswork.

This is probably the hardest question to answer because you do not want to overcharge for work that you are still learning, and you do not want to purposely undercut other photographers in the business.  I did a lot of research when it came to my own prices; I put a price on my time, work and product and added it all together.  Then I compared it with other photographers work in the city that I thought my quality of work was parallel with just to ensure that I wasn't undercutting them or way overpricing myself.

Check what other people are charging for your skill level, and be HONEST.  Realistically, no matter what you set your prices to, someone will tell you they're too low and someone will tell you they're too high.  Just remember when taking advice from other photographers - that this IS business.  They may not have your best intentions in mind - no matter how good the advice may sound.

Honestly, if your just starting out with photography or DO NOT have the skills yet to take photographs to suit your clients needs, it is best to NOT charge than insult the professional photographers who are trying to make a living.  Once you feel your skills are good enough to charge your clients you need to weigh the costs of your gear, living and overall time with the client to determine what your rates should be.

Brian & Karen:  
Ask.  Ask your peers and other professionals.  Don't just toss numbers out there.  Also you need to find out what it costs you personally for every hour you work.  Decide how many hours you want to work a year, after a bit of math you will figure out what your minimum cost is, then add profit.  It's not simple - but it's far from impossible.

I think there's a lot of methodical processes you can employ to get a retail price of what you offer and I think that there's two sides to the equation.

If I'm going to feel good about what I'm selling and believe in it, because ultimately - especially as a service provider - it seems like the prevalent issue of photographers is they don’t believe their product is worth as much as it is because they wouldn’t pay that much for it themselves.   

So its really an internal dialogue around,"How can I raise the price just a little bit more than I feel comfortable with?  Hopefully someone will be foolish enough to spend the money on it, then I’ll believe a little more."  And the reason I think the cost-of-sale approach can make a lot of sense is because it encourages people to understand experientially how much money they're spending as an investment in the hopes of making money.  

So cost-of-sales is an appropriate way to do it.  If you're selling physical products, it's easy to figure out what your cost-of-sales is; so if my $2.20 8x10 from WHCC is my product cost then that's easy to work into the equation - where people get confused is how they value their time.   

I would say that a rule of thumb on approximation is to just give yourself a conservative, reasonable number and remember to count all of your hours.  So if I'm going to sit down and take anyone's portrait, I realize that's going to be a 5-6 hour commitment.  If I only pay myself $30/hour (which is pretty reasonable for a skilled profession like photography - considering plumbers make $85-$150/hour), id say that at $30/hour that's reasonable for all skillsets.  So if I'm going to take someone's picture, that's going to cost me a minimum of $150 for $30/hour.  Just to click the shutter once - this is my time.  So if your sitting fee is less than $150 you're paying people to take their picture.  Like if I'm going to take on a job and they want to pay me $500 for an 8 hour wedding and to hand them a disk; just realize that you're not actually in business - your actually paying people to take pictures.

It's simple math. How much do you want to shoot, how much do you want/need to make and what does it cost for you to operate as a photography business? If your numbers fit within the current market value of whatever it is you're shooting then you're all set. If it doesn't fit then re evaluate your own numbers. It has NOTHING to do with how good or not good your photography skills are.

Everyone is different, and what works for someone might not work for others. I am primarily a wedding photographer, and in my fee that I charge, I factor in a number of things. I make sure I get paid for my time, my images, editing, my business costs, travel the list goes on. It’s all factored in. You must know your business costs and what you’re putting out to be able to incorporate it into your pricing structure. Don’t undervalue yourself. Your art, your time is worth it! Never look at what others charge in your area, you are not them. Only you can truly know what your worth is! 

5.   How do you balance home and work life?

Thankfully my partner is an artist as well, so he is pretty accepting of the long hours; especially the nearly non-stop post-production work sitting in front of the computer.

Over the past few years I’ve tried to keep a limit to the number of shoots I have booked for any day, week, or month.  I’ve found that if I have too much work in front of me, I have to fight the urge to rush through the editing; rushing things never benefits anyone.

This also goes back to knowing what you can handle.  If you know you can not shoot and edit 10 shoots a week, then do not book that many.  If someone really wants to work with you, they will wait.  I try to ensure that I set aside a few hours a day to edit photos after my day to day chores and activities.  Keeping balance was hard at first because I wanted to have everything done right away, but now I know that quality photos take time.  I would rather tell a client it will be a longer wait and give them something stunning then rush myself and give the client something mediocre.  Again, if a client wants your work; they will wait.

Honestly, I don't.  My home life is pretty much my photography life.  It's the love of my life, for better or for worse.

I don’t in any way or form consider photography “work”.  I also don’t have very much of a home life.  My main priority is my career and I could care less about having a life aside from photography.  I breathe and live photography and it is all I think about.  That being said, the general public does not always have that mind set.  The best suggestion I can give without having the experience would be to prioritize what you want in your life the most.  Setting out goals for yourself and attaining them and setting limits for yourself so you are still able to have the balance between your work and your home life.

Brian & Karen:
I will soon be moving my computer and editing equipment to my studio and nothing will enter my house work related. Home is for my family and sanctuary.

Here's the deal dude:  your work and your home life are not in conflict, they have to be married. Right now I'm on a retreat, getting away, trying to get clear on what happened this past year what I want to do next year, I'm not in San Francisco, I'm away from my family – I'm on an interview with you.  I am not committed to my family right now, I am whole-heartedly committed to you and this conversation.  When this conversation is done, I'm going to hang up and you're dead to me.  

I'm totally focused on what the next thing is.   

So the trick isn’t,"How do I balance?", because balance sets this tension where these are in conflict – they're not in conflict.  There's a great little poetry book called Three Marriages; marriage to your spouse, marriage to your work and marriage to God, and you've got to figure out how those three can actually not conflict.  And when they can get harmonious – watch out because you will be a force to reckon with wherever you go because you get to bring those powerful marriages wherever you go.  I am passionately against balance.  And you know what else?  Point to somebody who actually is balanced, I don’t know anybody, especially anybody who's actually made a contribution.

It's a lifestyle that works for my family. Work life/balance is a myth. There's no such thing. We commit to being 100% present on whatever we are doing. If it's family then it's family. No cell phones or shoots or iPads or meetings. Nothing. No work. When we work, that's it. No kids. No interruptions. I work a ton, but it's early in my career and I don't have the benefit of a pension plan and my business will be worth very little in 20 years if there's nothing to sell when I want out. So I work a lot now, set high goals and shoot exactly what I want to shoot. A bit sidetracked... it's totally about balance, but this work/life balance thing is corporate speak and does't exist if you ask me. Balance according to whom? Your boss would want you working all the time and your family wants you home all the time. Balance that.
I shoot away from home a lot, especially over the winter so we make time to travel together and take time away from it all. Marse (my wife) gets away with the girls from time to time as well so we always make sure we are having fun.

Man that's a long answer. Sorry.

Make sure you set out business hours, and don’t answer emails or do any business things after these times. I take time off for holidays, and vacations, and other days that I need. This will help you avoid getting burnt out. Source out if you need to, to give you back that time you require.
I had the honor once of meeting a well known film photographer in my town who came to our photography club once; a very inspirational man. He mentioned to us that because he was usually booked on weekends for most of his career, he missed a lot of important milestones in his children’s lives. He was so busy with clients and their weddings, portrait sessions, etc, he hadn’t made time for his own family. Those are things he could never get back.
Family comes first in my book. I refuse to miss the important things in my family’s life. Make sure to always take time for yourself, be it weekends off, birthdays, Christmas. Make memories for your family!

6. If you could write a message to yourself to when you first started out, what would you tell yourself?

As someone who is completely self-taught in photography and post-production, I’d tell myself to invest more time to mastering the craft. I’ve spent most of the last decade or two learning how to use the camera, how to setup lighting, and how to edit the shots. Taking a class or two along the way probably would’ve been helpful, and perhaps sped up the learning process a bit.

Otherwise, I’d say start taking more risks more often, and start working with other talented people to push each harder to put out the best work possible.

I guess I would tell myself to relax more and not to be so over critical. Just to have lots of fun with it and never give up, keep striving to be the best I could be and not be to worried with comparing my work to so and so :)

"Slow down and take your time. You have all the time in the world. Invest in a good light meter, and don't bother with cheap strobes!"
Light is the most beautiful thing in the universe, without it we would not exist. Respect and honor its beauty.

Brian & Karen:
Take business classes and hire and accountant.

Focus.  Focus - focus - focus.  I would focus... it's kind of back to the commitment conversation; it would be more resourceful for me to not have to switch gears so often.  If I could deepen my commitment in certain areas for longer stretches, I would get a better return – and I am doing that increasingly.  But I thought I could do everything in every direction.  It's well documented that multitasking is not very efficient compared to monotasking. 
Honestly, I would tell myself to enjoy it. I wouldn't change a thing I've done to get here. I'm happy where I'm headed and I'll work my ass off until I get it.

It's pretty simple. Put in the time and you will be successful. If you don't think your work is good enough to be at such and such a price, get a part time job and get better at photography. Get 'that good'. Shoot for free until you are 'that good'. If you keep comparing your work and prices to someone else and don't feel you measure up...get 'that fucking good'. Don't bring the market down with your shitty photography. Get better. It's not instant; but it's not impossible. It takes time and investment in yourself.

Be yourself, don’t be someone else, and never forget it!

Now our final contributor, Jake Garn shared his perspective towards these issues:

[vimeo http://www.vimeo.com/34344105 w=400&h=300]Six Questions from Jake Garn on Vimeo.

I would like to thank everyone on the panel, Shaun Simpson,  Cyndi Gordon, Anthony Ha, Billie Chiasson, Brian Larter, Karen Murdock, Dane Sanders, Liam Hennessey, Dawn Melanson & Jake Garn.  I wish you all the best in 2012 and beyond!!

Also, I hope all of our readers will check out Amit Gupta's website to get swabbed and save even more lives in the coming New Year.

Thanks again to everyone and be safe out there celebrating - I want to see you all next year!!


Michael Carty

Managing Money Well is Key in any Business - Even Photography

By tangentpath in business manage money photography wisdom

Right off, I'm plugging in a wonderful read(and a must read for EVERYONE), even if you don't run your own business it has crucial information that can help anyone obtain financial security and freedom without feeling restricted.  It is called "Your Money: the missing manual" written by J.D. Roth. 

I have gone through it in under two weeks and have already eliminated some personal debt, built significant savings, projected short and long term goals.  It has helped me do this and I haven't sacrificed going without day-to-day spending money.

I've never been good with money, I think most of you can relate.  A large chunk of spending is done emotionally and/or impulsively, and that is a big mistake on our part.  If you prioritize what purchases are truly important to you, you can decrease needless spending - and therefore have more $$$ for what you REALLY want.

Let's not forget the ads as well.  Advertising is made to make us think that we NEED the things they are peddling, that's why it works.  If you do run your own business, or own a car, computer, cell phone, etc, I'm sure you can think of a commercial or an ad for a product you've purchased(or are selling). 
*hint, hint*

 So being aware of that is crucial to not spending needlessly.

The idea of paying myself is my favourite though, and why not?  Who wouldn't like to pay themselves first?  I put a percentage of all of my income into a savings account, it is separate from my checking account(otherwise called my spending account).  My checking account holds my spending money, money left over after savings and bills have been paid.  My savings account is completely forgotten.  As soon as I put some cash in there I forget it exists.  It never gets touched, ever, unless there is a crucial(and I mean CRUCIAL) purchase, emergency, etc happening.  You would be surprised how fast that grows when left alone. 

Another percentage of my income goes towards specific debts/bills, like credit cards, lines of credit, car payments, etc.  Each person is different, regards to income, bills, debts, so figure out which amounts work for you.

Now here's the trick:  When a debt gets paid off - you DON'T gain any increase in your spending money.

Let me elaborate here.  Say you have a VISA card, you pay $200/month on it until it's paid off.  The day comes that it's paid and that means you don't have to put that $200 towards it anymore.  What does that mean?  Does it mean that you have $200 more to spend on take out, movies, new tech toys?  It could, but you've been living fine without it, and if you ever NEED something soooooo bad(remember it has to be crucial) you still have your savings.  So instead of blowing that cash - you snowball it. 

If you're lucky, the VISA card is your only debt(remember regular bills ie-power, rent, phone, etc, aren't really debt, lines of credit, student loans and credit cards are debt), then you're pretty lucky.  Maybe you can splurge it on stuff.  Or maybe you could snowball it into your savings.  Say you normally put $200/month into your savings, add on this extra cash and now you're putting away $400/month, and you're not going without anymore that you have already.  You never had that extra $200 to spend in the first place so you will never miss it.  Know what that means?  It means that you can go on that trip south this year instead of the next, or that new lens is on its way before of the end of the month instead of the end of the year.  It means even more financial freedom for the things that actually matter to you. 

I'm guessing there are more people than not that have more kinds of debt than a single credit card.  Guess what?  You can snowball this too.  Snowball that extra cash into your next debt and watch it disappear faster than you originally projected.  It is truly energizing to see the weight of debt drop away. 

As I mentioned earlier, I've only started this system, and I have to say that I haven't done everything that this book suggests, but I have adopted the things that work for me.  You have to know what works for you and do that, it won't work any other way.  My wife's way of saving, paying and spending is very different from me.  She gets paid differently, she pays things differently, she saves differently.  Luckily her system is more simplified and straightforward than mine is and I have found a way to make them both work well together.

I made a judgement call the other day.  I could delve into my newly made savings and pay off a debt immediately, freeing up the cash that I would've used  over the next few weeks on its payments to put onto something else - or, I could keep my savings as they are and continue on my slower but still steadily payments.  I decided to go with the first option.  I received instant gratification from this decision.  Not only did I get rid of a personal debt in no time at all, but I saw the end projection of my next item of debt(remember, I'm snowballing this extra income into my other debt) go from 3 months away to the end of this month!

So can anyone tell me what this means?  Snowball again!!  I will eliminate 2 items of debt within a month(btw, I still have ample savings which is just icing on the cake), and this cash will soon go onto my other debt to get rid of them even faster than originally projected.  Or maybe I will split the difference, some in savings and some on debt.  That means my saving will grow faster than it is now and my debt will stilll decrease at a faster rate.  If you can't tell, I'm pretty excited about this.  The main reason why is my main goal: financial independence.

I've been able to calculate how much money we need to live for a year.  Now I can use this information and the simple(very simple) tools that I've learned to obtain the savings in order to quit my day job and go full time into my passion: photography.  Going fulltime photography, I can increase my clientel, travel and create income that will slow the spending of my savings.  A great benefit is that I will be able to spend lots of time with my wife and our child(arriving next year).

Well I think I've plugged this read enough for one blog.  I just want to say that every successful business owner or photographer that I have ever met or spoken to agrees that eliminating debt and creating savings are the most important things needed to keep doing what they love to do.  Otherwise they couldn't afford it.

So check it out, enjoy, and be happy.

New pics in the next blog, I promise.


Michael Carty

Finding a Niche as a Photographer

By tangentpath in niche photography vision wisdom work

When one wants to be any type of professional photographer, a good piece of advice is to find your niche.  Choosing a niche is important for a number of reasons;  it gives focus on your subject matter and client demographic, it assists in promoting yourself to the public with a clearer sense of what you do and it better organizes your business plans.

Your niche is the type of photography that you wish to specialize in.  It can be difficult to many new photographers which niche to choose from since most like to make photographs of a multitude of topics.  An important thing to remember is that choosing your niche does not mean that you can't shoot other subject matter, just that you specialize in a specific type and that is what your business primarily works on.

I'd like to note that many photographers never choose a specific niche, are labelled as "generalized", and still find success in their work. 

Having a genre to work towards creates a better focus on what you are doing in your business, you gain a better sense of what to shoot and who to approach with your work.  This can save a lot of time and planning, it also has the potential of increasing your skill in said niche since there will be less time spent on other genres.

So, just for example, you want to shoot portraits.  What does this mean?  Well it creates a specific client base:  grads, families, models.  Since people are the main subject in this niche, you could also use this to bleed into related genres, like fashion and commercial photography.

Any comments?


I'm Pregnant and the Importance of Social Media for your Photography

By tangentpath in networking personal photography pregnant social media wisdom

Well yeah, I guess the title says it all.  My wife and I are pregnant with our first child, due in May, and I can't wait - really, I can't.  That also means that I need to work my ass off as much as possible in my craft and business because I'm sure my spare time will drop to a minimum once he or she arrives.  So does anyone have advice?  Some sage-like knowledge, first-hand possibly on raising children and still finding time to keep the work going? I'd love to hear some.

Now social media, you know: Facebook, MySpace, Twitter, etc, etc, etc....  I bet a lot of you out there have a pretty good idea on how important it is to your business, no matter what it is.  But just to show you some stats on how powerful and all-encompassing social medias are between you and your clients, I have a video that was shown to me by Justin Hyslop, a Field Marketing representative from Samsung Electronics Canada Inc., whom I met this past weekend at a Bell dealer conference.  Justin is the only rep at this conference that I really had any extended dialogue with and I have to say that his was by far the best planned and receptive presentation there.  I'd like to share this video with you now, and believe me, you will be completely entertained:


So hopefully you've watched this before continuing to read on, otherwise you won't nearly grasp the real impact that social media can do for(or against) your work.

Communication is key in every business, and every type of communication or social media is another way into your potential clients lives.  But that's not all.  It's also how you use the social media that makes the big difference in the impact that it will have on your business.  Alec Brownstein is a talented writer and director who used Google AdWords in an out-of-the-box way to score a job with Y&R in New York.  To see the "Google Job Experiment"(and I highly suggest you do, if only to bask in the simplicity of this idea) click on the link below.


Amazing eh?  Is it getting through?  Social media(any and all) is the advertising of now and the future, customer testimonials are the ad slogans and guarantees, consumers will not trust the company completely, why should they?  But clients will always trust(more so anyways) previous clients word because the testimonials are from clients who gain nothing from your businesses success or failure.  They tell it how it is, from their perspective and from their experience.  Social media is practically a stewpot of testimonials.  Not just of business, but life itself.  What do you think tweets or status updates are?  What are wall posts and links?  These are all opinions, of people telling other people what they think.  They are testimonials, personal or professional.  So use that knowledge, and figure out what you want them to say about you.

Questions, comments, stories?  I love to hear them.  Cheers, and thx for the well wishes from the expectant parents!! :D

Oh, and while I'm at it, join my twitter if you like lol, see what I did there?

Big Company Customer Service Is More Than Bad: It's Backwards

By tangentpath in business clients customer service photography vision wisdom work

The customer service that we all normally get from businesses can be downright insufferable.  It's either the long hold times or hard to understand - and sometimes incompetent - reps.  The general system for customer service is to focus on driving new sales and clients, while giving existing customers the bare minimal service just to keep them hanging(anyone have a cell phone?  then you get it.). 

This is a TERRIBLE way to do business - any business.  There are few but still important differences between new clients and existing clients.  It takes more time and energy to seek out and sell to new clients than to existing ones.  The reason being is that existing clients are already sold on your services/products.  They should be comfortable with dealing with you and know what to expect from working with you.  New customers need to be introduced to you and your business, taught how a relationship with you will work and they need to be "sold" on your business.  Also, some new customers have objections because they have heard through different means negative things about your services. 

If you've ever worked for a large company and gone to any training sessions, you might have heard of what they call "overcoming objections", which is a buzz term that means,"Let's find an answer to get around all of the main objections that customers give to not invest in us."  Now at face value this sounds like a smart idea, although it can do more harm than good.  To actually train to overcome objections adds more stress on the customer-based worker to drive new sales by remembering a list of scripted answers instead of the actual product/services they are trying to sell,  it does nothing to benefit existing customers(the lifeblood of a business) and it doesn't eliminate the source of these negative ideas about your business.

Most potential clients will hear negative things about any business through word-of-mouth.  It makes sense, since word-of-mouth is one of the most powerful means to advertise, why wouldn't it be just as good at damaging a business image?

So who are these people saying these bad things?  EXISTING(and past) CLIENTS.  There are some good reasons to treat your existing clients like gold.  The most obvious one is that they invest in you, some over a long time period, which means that they keep you working when there is a drop in new clientel. That means that they are your lifeblood, your buoy, what keeps you from going under in the long term.  If you have enough existing clients to keep your business running and make a good living for yourself - then you wouldn't technically need new clients.  But things don't stay static like that, and it is always a good idea to make more business for yourself.  Another reason to treat them well is that they not only pay you for your services, but they advertise for you too.  If you treat them second class then they will spread the word as such, if you treat them like gold they will do the same - but they will do it even more.  People tend to tell others what is really good and what is really bad, which of these do you want to fall under?  Treating existing customers with appreciation also has the benefit of decreasing the # of them that will leave you for your competitors, which means that you are even less desperate for new clients - which is great!  When you approach new clients, you don't want to seem desperate; desperation shows a lack of confidence in your work, and no potential client wants to invest in a business where even the owner isn't confident. 

As I stated before, existing clients will spread the word like wildfire, and if you treat them well they will only spread good words.  Do you know what this does?  It makes it even EASIER to get new clients.  Your competitors still flash their smiles like a shark waiting for the kill, sputter over half memorized scripting, trying to overcome objections or downright lie to a customer to get just one more sale.  You on the otherhand have new clients that haven't heard a word of negativity about your work.  Their friends have boasted about how wonderful it is to work with you and how you really care about their needs.  These are the clients that instead of saying,"Well I like this about your package, but someone told me *insert objection here*."  you will hear,"My friend told me to come here because you were the best, I want *insert client details here* and I may have some more future work if this is as good as I've heard."  I've had these clients, I LOVE these clients and I appreciate these clients.  All they've heard is goodness, so I know I've done well taking care of my existing clients.  This saves energy and money, to be spent on more crucial things, by not having to go all out on advertising or thinking of ways to "trick" new clients by taking some type of training in underhandedness.  I don't need to stress myself out by thinking of new flashy ways to attract new clients or how I can twist words around so that I can get more work.  I keep afloat with existing clients that stay with me because I treat them right, my existing clients generate new clients(and remember they're paying me while doing this) with no objections to overcome, this keeps me confident that I can meet their needs without having to resort to hard(and sometimes uncouth) tactics, and the cycle continues.

So by being decent, no, by being dependable to the people that know me already, I can increase my client base with hardly any effort.  There is still the selling point to my business, but all the talk is about how I can help my clients - not how they can avoid problems in my business plan.  I eliminate the problems from the source and I am a reminder to my clients of what real customer service is.  It's almost karmic.  It feels clean and fresh and good.  There's so much "corporate pollution" out there, it can make one feel sick - I'd rather do something different.  I'd rather do something right.